They both come from the gorgeous West Norway fjord region that gives its name to the fiddle. The folk music of that region also supplies the pair with their inspiration, both for arrangements of traditional pieces and for original songs of their own. The results are relatively slow and steady, full of space and rich with mountain and ocean air. Maurseth will set up a repeating phrase and Nordli will swoop and fly above it, as a bird on an airwave. The blend of the smooth clear voice and the slightly rasping strings is just close enough, and just distinct enough. The almost title piece ‘Overtone’ begins with an oscillating bi-tone and then fills in with more overtones on the fiddle, Nordli carefully adding wordless long notes above to construct the most elegant – and elemental – of music. […] The kind of album that surrounds the listener in a whole other world.
                                                                                                                                                     Peter Bacon, The Jazz Breakfast