HÀRR

Benedicte Maurseth – Hardanger fiddle

Håkon Mørch Stene – vibraphone, marimba, percussion,

electric guitar, electronics

Mats Eilertsen – double bass, electronics

Guest appearances:

Jørgen Træen: electronics

Rolf-Erik Nystrøm: saxophone

Stein Urheim: langeleik, harmonica, electronics, samples,

percussion

Special guest appearances: reindeer, European golden

plover, bumblebee, running water at Tinnhølen, rock

ptarmigan, rough-legged hawk, great snipe, Arctic loon,

common crane, mountain owl, and the voices of Brita Fykse,

Leif Maurseth, Frantz Gustav Andersson Törna (Sæbø), and

Sjur Varberg

LC49093

All music by Benedicte Maurseth, Mats Eilertsen & Håkon Mørch Stene  and “Kollasj II” by Stein Urheim

A few years ago, musician, writer and philosopher David Rothenberg invited me to join him in several musical

projects involving the sounds of unique birds from around

the world.

 

While I stayed in Berlin we also gave some live outdoor concerts, playing with nightingales in various parks late in the evening in the city. Playing with these incredible birds changed how I listened to animals in nature.

 

During the same period Hardanger Musikkfest, an annual festival arranged in my home region of Hardanger,

commissioned new music from me for their 2019 festival.

The festival theme that year was “vandring”, a word with many different meanings such as walking, hiking or strolling. I had grown up at Maurset, in the mountains of Eidfjord municipality, close to the edge of the Hardangervidda National Park, and had gone hiking in this

region throughout my life. So the festival theme felt close

to my heart.

I have also felt involved with and connected to ecosophy (økosofi), founded by the Norwegian philosopher Arne Næss (1912-2009). This is based on the view that humans are part of an ecological system that is interdependent with nature, and that all of life and all of nature’s rich diversity have equal value. I wanted to include this perspective in the commissioned work “Hárr” as a way of focusing on its role as a creative inspiration, and to refer to the philosophy by using musique concrète from animals and human beings living, harvesting or simply enjoying the mountains’ gifts and abundance throughout the centuries. All this was combined with musical themes and fiddle tunes composed on the Hardanger fiddle, and later arranged and improvised together with the other musicians involved in the commissioned work.

In many ways creating music and hiking are the same thing, at least to me – they evoke an awareness of beauty, deep listening and presence when our spirit is open. You can experience them alone or share them with others, in silence or in conversation. Both require time, effort, patience and repetitive continuity. Both are also a reminder of something else, something larger than the individual self, that makes one feel forever humble as a human being.